Robert Downey Jr. poses for a selfie with a woman amidst a seated crowd.

Robert Downey Jr. at The Watermill Center. Photo copyright Maria Baranova-Suzuki. 2017. 

Craig Harris playing the trombone. He is wearing a white button down shirt, and has the trombone pointed toward the sky, while his eyes are closed as he concentrates on his performance.

Craig Harris performing at The Watermill Center. Photo copyright Martyna Szczęsna. 2021.

Robert Wilson’s “Ubu” at The Watermill Center. Photo copyright Maria Baranova-Suzuki. 2023

Laurie Anderson performing at The Watermill Center. Photo copyright BFA. 2017.


Work History

Brian O’Mahoney has extensive experience working in event communications, brand development, format design, and public relations.

From 2016 to 2023, they operated as Communications Manager for The Watermill Center, an international artist residency program located in the heart of the Hamptons. While there, they coordinated all external communications, developed and implemented a brand style guide, organically quadrupled the size of their social media audience, and oversaw all public relations, including event promotion and coverage for The Center’s celebrated Annual Summer Benefit, cited as “where the creative illuminati of New York and beyond converge in a hedonistic celebration of performance art” (Office Magazine) and dubbed “the pinnacle of the Hamptons summer social scene” (Blackbook).

In 2024, they joined the accessibility consultation company, ACCESSforALL, as a freelance Communications Consultant with a focus on audience engagement, digital accessibility, and inclusive communications.


Obtained Press (linked to article)

ARTnews: At the Watermill Center’s Summer Party, Body-Testing Performance Art and a Bisected Cop Car Draw Crowds. 2023.

Black rectangular line frame with the logo for The Brooklyn Rail in the center of it.

The Brooklyn Rail: Paul Thek: Interior / Landscape. 2021.

Cool Hunting: The Watermill Center’s Summer Benefit and Artist Residency. 2022.

Black rectangular line frame with the logo for Forbes in the center of it.

Forbes: The Watermill Center Hosts Its Summer Benefit, Raises $1.7 Million. 2019.

Black rectangular line frame with the logo for Frieze in the center of it.

Frieze: Christopher Knowles’s Playful Experiments. 2022.

Black rectangular line frame with the logo for Galerie in the center of it.

Galerie: Robert Nava’s Whimsical Beasts Take Over The Watermill Center in the Hamptons. 2022.

Black rectangular line frame with the logo for Hypebeast in the center of it.

Hypebeast: Regina José Galindo's Performative Ode in a Dismantled Cop Car at The Watermill Center. 2023.

Black rectangular line frame with the logo for The New York Times in the center of it.

The New York Times: Checking Out The Crowd. 2022.

Black rectangular line frame with the logo for Observer in the center of it.

Observer: A Perfect Storm of Art and Experimentation Descends on the Watermill Center. 2023.

Black rectangular line frame with the logo for Office Magazine in the center of it.

Office: More Until There Is No More. 2019.

Black rectangular line frame with the logo for Surface Magazine in the center of it.

Surface: Mother Nature Crashed the Party at The Watermill Center’s Summer Benefit. 2023.

Black rectangular line frame with the logo for Vogue in the center of it.

Vogue: Isabelle Huppert and Laurie Anderson Honored at the 24th Annual Watermill Center Summer Benefit. 2017.

Full List of Publications Includes: Architectural Digest, Artforum, Artnet News, ARTnews, The Art Newspaper, Artsy, Blackbook, Bloomberg, The Brooklyn Rail, Cool Hunting, Cultured Magazine, Forbes, Frieze, Galerie, Hamptons Magazine, Hypebeast, James Lane Post, Modern Luxury, The New York Times, Observer, Office Magazine, The Purist, Surface Magazine, Vogue, W Magazine, Wallpaper, The Wall Street Journal, Whitehot Magazine, Whitewall, and WWD.


Digital Accessibility

In 2024, O’Mahoney worked with ACCESSforALL to develop and launch a digital accessibility business training program. The series of workshops uses Web Content Accessibility Guidelines (WCAG 2.2) as a foundation to instruct businesses and their employees on the legal requirements for accessible digital content and the best practices of inclusive communications. ACCESSforALL’s digital accessibility program offers accessibility planning, communication audits, and workshops on audience engagement, document remediation, drafting inclusive communications, and sensory-friendly design.


Links